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Jean-Auguste Dominique Ingres Grande Odalisque oil painting


Grande Odalisque
Painting ID::  2028
Jean-Auguste Dominique Ingres
Grande Odalisque
1814 Musee d'Orsay, Paris

   
   
     

Jean-Auguste Dominique Ingres Romulas, Conqueror of Acron oil painting


Romulas, Conqueror of Acron
Painting ID::  2029
Jean-Auguste Dominique Ingres
Romulas, Conqueror of Acron
1812 Ecole des Beaux Arts, Paris

   
   
     

Jean-Auguste Dominique Ingres M.Charles Joseph Laurent Cordier oil painting


M.Charles Joseph Laurent Cordier
Painting ID::  2030
Jean-Auguste Dominique Ingres
M.Charles Joseph Laurent Cordier
1811 Musee d'Orsay, Paris

   
   
     

Jean-Auguste Dominique Ingres The Valpincon Bather oil painting


The Valpincon Bather
Painting ID::  2031
Jean-Auguste Dominique Ingres
The Valpincon Bather
1808 Musee d'Orsay, Paris

   
   
     

Jean-Auguste Dominique Ingres Portrait of Francois Marius Granet oil painting


Portrait of Francois Marius Granet
Painting ID::  2032
Jean-Auguste Dominique Ingres
Portrait of Francois Marius Granet
1807 Musee Granet, Aix en Province

   
   
     

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     Jean-Auguste Dominique Ingres
     French Neoclassical Painter, 1780-1867 was a French Neoclassical painter. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, by the end of his life it was Ingres' portraits, both painted and drawn, that were recognized as his greatest legacy. A man profoundly respectful of the past, he assumed the role of a guardian of academic orthodoxy against the ascendant Romantic style represented by his nemesis Eug??ne Delacroix. His exemplars, he once explained, were "the great masters which flourished in that century of glorious memory when Raphael set the eternal and incontestable bounds of the sublime in art ... I am thus a conservator of good doctrine, and not an innovator." Nevertheless, modern opinion has tended to regard Ingres and the other Neoclassicists of his era as embodying the Romantic spirit of his time, while his expressive distortions of form and space make him an important precursor of modern art..

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